I am starting to think I will live this life like my father: permanently unhappy and dissatisfied, doing only the things that I absolutely have to. No reason or purpose.



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Andy Warhol in Flushing, Queens, amid black-eyed Susans near the 1964 World’s Fair, with a freshly completed Flowers painting in the background. CreditWilliam John Kennedy/KIWI Arts Group

September  21   ( 20107 )   via   /   source   +


Visual Communication first project: combining two contrasting objects together. I made a mini series based on the theme ‘Adulthood vs Childhood’. or maybe I should call it “clash of different intoxicating things ” I love this multi-themed creation.

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Ripped to shreads

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coming to the realization that I will never not be sad, I can never not be who I am or who I was, I can never go back in time, I’ll never get out of this


Drug of choice

September  20   ( 1758 )   via   +

"There’s a sad memory for me because I really liked River Phoenix so much and he passed in such an early age. He was one of those wonderful young actors, he couldn’t be more than thirteen or fourteen at the time. He was the one that recall you on your room every night and go ‘Do you mind running over this lines with me for the scene?' He loved it so much and you could just see he was going to be a real special actor, and he was! And everytime I think about the film I get very sad about not having him around.” - Kiefer Sutherland

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It’s about 20 degrees cooler in this shade

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Clint Eastwood photographed skateboarding in Rome by Elio Sorci, 1965.
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Our Cosmic Address

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When I say “please don’t take a picture of me” it’s not because I’m being bitchy and stubborn, it’s because if I see that picture I will seriously feel so bad about myself and think I am the ugliest thing on earth and sink a little deeper into self consciousness and hatred.

thank you

and before anyone says anything about selfies- those are controlled photos. 

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Chest deep, I risked my phone’s life to take this

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The subjects for Grant Wood’s, American Gothic, pose beside the iconic painting in 1942.

The painting, which is now at the Art Institute, portrays a farmer and his spinster daughter.

The models were Grant Wood’s sister and their family dentist.

September  20   ( 447 )   via   /   source   +